After a run of 694 performances on Broadway during the 1955-1956 season, Cat On A Hot Tin Roof made it to the big screen in 1958, just in time for Elizabeth Taylor to get her second Best Actress Oscar nomination in two years. The film was highly acclaimed by critics and audiences alike and it received five additional Oscar nominations: Best Picture; Best Actor (Paul Newman); Best Director (Richard Brooks); Best Writing; Screenplay Based on Material from Another Medium (Richard Brooks and James Poe); and Best Cinematography – Color (William Daniels).
Cat On A Hot Tin Roof is truly an actor’s movie, and it is one of those rare films where every single actor is perfect.
Paul Newman and Elizabeth Taylor are both brilliant as Brick and Maggie. Not very often is there a screen couple that have the same chemistry together that they do. And those eyes! It is hard to say which of them had the most captivating eyes. Taylor and Newman were more than extraordinarily beautiful. She was an amazing actress, and he is arguably one of the greatest actors of all time. The relationship between Brick and Maggie is fascinating; full of confusion, betrayal, honesty, dishonesty, love, desire, and trust.
As Big Daddy, Burl Ives gives one of the best performances of his exceptional career. Jack Carson, Madeleine Sherwood, and Judith Anderson round out the cast as Gooper, Mae (Sister Woman), and Big Momma, and all deliver performances that are astoundingly memorable.
Tennessee Williams was reportedly unhappy with the screenplay, which removed almost all of the homosexual themes and diminished the original play’s critique of homophobia and sexism. But it is important to remember that the play and the film are two separate entities. The film is an adaptation, and they are not meant to be the same. They should be judged each on their own merit!
Cat On A Hot Tin Roof is one of the great pieces of 20th century American literature and cinema. It has some universal lessons we could all profit by in viewing it.
Managing Artistic Director
“Every time a bell rings, an angel gets his wings.” – Zuzu Bailey
It’s A Wonderful Life has become synonymous with the holiday season in America, but when the movie premiered in 1946, it was met with a lukewarm reception. It wasn’t until the 1960s, when there was some confusion over rights and the film entered the public domain. TV stations began to air the film regularly, because they didn’t have to pay for it. By the time the rights paperwork was corrected, it had found its place as a holiday tradition.
The message of the film resonates as much among the Greatest Generation, immediately post-WWII, as it does today: Your life matters. Your contribution is important. You can, and do, make a difference. Nestled among the brilliant acting of Jimmy Stewart and Donna Reed, that’s what really endears the film to viewers and why so many of us keep coming back, year after year.
The December PIX Flix film has become a holiday tradition for us here at WCT, too. Even though the title differs year to year, it’s a way for our community to come together, enjoy each other, and experience quality entertainment in a historic theatre. For only $5 a ticket, on a Monday night, there’s no better way to get family and friends together for an evening.
It’s A Wonderful Life is one of John Cramer’s very favorite films and both he and I hope to see you here at the PIX on Monday, December 18th, at 6:30 pm.
6,469,952 spots. 101 Dalmatians. 1 highest grossing movie of 1961. Walt Disney’s 101 Dalmatians has adventure, romance, and a feel-good family narrative that appeals to everyone. Join us at the PIX for this iconic Disney film on Monday, August 14th at 6:30 pm! Tickets are $5 for everyone – unless you bring a group of 10, in which case you’ll only pay $4 a ticket! Quality entertainment doesn’t get much more affordable than that.
Growing up, I always wanted a dog. My kids want a dog. My husband had a dog. Not everyone is a dog person , it’s true, but most of us can appreciate pets and the special place they hold in humans’ hearts and homes. The makers of Walt Disney’s 101 Dalmatians deliberately cast dogs with deeper voices than their human owners so they had more power. They have the power over our imaginations and, ultimately, over the villains in this film.
These 101 purloined puppies also had the power over the visual style of Disney animation for more than a decade. To save on production costs, the filmmakers used photocopying technology (Xerography) for the first time in a Disney feature film. This technique made the visual complexity of the film possible and also set the tone of Disney animation until 1977. It also allowed the animators to have a little fun – there’s a hidden Mickey on almost all the Dalmatians!
I’ll be at the PIX on Monday, August 14th, hunting for hidden Mickeys and cheering on Pongo, Perdita, and their intrepid pups along with my family. We’d love to see you and yours there!
Box Office Supervisor