PIX Flix Spotlight On The Board: Coco

The filmmakers at Pixar have a reputation of creating beautiful animated films that tug at the heartstrings. To prove their point, they boast an incredible resume of films known to be tear-jerkers, including the Toy Story franchise, Monsters Inc., Up, and Inside Out. Their 2017 offering, Coco follows in those same footsteps.

Coco captivates its viewers by paying tribute to the Mexican holiday, Dia de los Muertos (Day of the Dead). This colorful film celebrates the beauty of life while reminding us that those we’ve lost continue to live on in our hearts.

Along with the film, the theatre has invited an Aztec Drum and Dance troupe from La Casa de Esperanza to join in on the festivities. Waukesha Civic Theatre is proud to welcome our neighbors to the theatre in a joint celebration of culture and the arts.

 

Peter Kao

Secretary

Board of Directors

Director’s Note: Bad Seed

‘Is evil something you are? Or is it something you do?’ 

Bret Easton Ellis, American Psycho

 When a child is born, we look into their sweet faces and imagine all of the things they could become. We wonder what their future will hold. Will they be a doctor? A lawyer? A teacher? A mother or father? Will they have a family? When a child is born, it’s fun to think of all the things that could be. Opportunity is wide open to them to become whatever they want to be.

As the child grows, we quickly learn about their personality. Their likes and dislikes. Their strengths and weaknesses. But do these things define them and their future? Nature vs Nurture… what do you think?

I’m willing to bet that no one looks into an infant’s eyes and thinks… ‘They’re going to be a serial killer’. In today’s world of social media, we see – nearly daily – stories of kids that commit terrible crimes. If you read the comments, often times the parents are blamed. But should they be? How can a child brought up in a loving home with everything they need become a killer? How do kids in these homes grow up with what seems to be a complete lack of empathy?

I bring up these questions, not to start a debate, but to allow you begin to put yourself in the shoes of Christine in Bad Seed. Is Rhoda, a charming, smart, and sweet little girl, really a bad seed? What would you do if you were put in Christine’s shoes?

I think it’s easy for us to say how we would react to different scenarios life might throw at us. Or for us to say, ‘that would never happen to me’. The reality is that we don’t know what life will throw at us, and we certainly can’t say with certainty how we would respond.

I cannot thank my cast and production staff enough for their hard work, talent, and dedication to this production. We laughed, we cried, we had the hair stand up on our necks, and we discovered these characters and the show together. I hope you enjoy the show!

 

 

Kelly Goeller

Director

Note from the Managing Artistic Director: Bad Seed

Welcome to Waukesha Civic Theatre, and welcome to the 63rd Season, we are delighted to have you here. You heard me correctly – Sixty-three years of bringing our community together to enrich, challenge, and entertain, using the arts to connect people. You might wonder how it’s possible to for small non-profit theatre to continue to thrive for so long, and I will tell you that our secret is people like you, who provide support in multiple ways each year. Through financial contributions, robust volunteerism, community passion, and enthusiastic production attendance, we continue to grow into our 63rd Season, and what a season it will be! 

In the 63rd Season, we hope to delight your senses in several ways through our variety of show selections. We hope to tug at your heart strings, keep you on the edge of your seats, make you laugh, tap your toes, and let you sing along. We invite you to do more than watch a show here at Waukesha Civic Theatre, we encourage you to get involved and to become a part of our community.

There are several ways for you to join our community – as a patron, Season Subscriber, FLEX Member, donor, volunteer, artist, or an ambassador of the theatre. We invite you to attend our seven Mainstage Productions, five Random Acts of Entertainment, new Music on Main, two A.C.T Academy at Civic Theatre Productions, several Theatre Education opportunities, and the PIX Flix Film Series movie events. We hope you catch the Civic Broadway Singers or the Civic Senior Players around town. We invite you to attend our Annual Gala to celebrate our accomplishments, to our Season Preview to get a sneak peek at the 64th Season, various FUNdraising events, art gallery exhibits, the second annual Walk, Run, or Skip, and collaborative community events. 

In our efforts to enhance inclusivity and diversity, we are thrilled to be launching multiple Sensory Friendly performances, to provide a safe and engaging experience for our patrons of all sensory needs.

One of the best ways to support WCT is to spread the word about Waukesha Civic Theatre. Find us on social media, like and share, and help us spread the word. Buy your tickets ahead of time and give tickets as a gift! The gift of theatre is a treasure. 

Private Donors and Corporate Sponsors help keep us financially sound and looking to the future through gifts to the Annual Operating Fund, the Endowment Fund, by including us in planned estate giving, and through annual corporate sponsorships. Please contact us to make arrangements to support the theatre.

These are exciting times and we are thrilled that you are here with us. Enjoy the show! 

 

Rhonda Marie Schmidt

Managing Artistic Director (Lady MAD) 

Spotlight On The Board: Bad Seed

One of Broadway’s outstanding hits. “It is solely and honestly meant to entertain…As purely purposeful diversion it ranks with ‘Dracula’ and sometimes sets your spine to as much tingling…chilling.” NY Telegram.

Get ready for a spine tingling story about a sweet, charming, full of old-fashioned graces, loved by her parents, admired by all of her elders, little Rhoda Penmark.  Just in time for the Halloween holiday you will be captivated by this chilling play.

We have many opportunities throughout the year to enjoy, in more than one way, the offerings at the Civic. If after seeing Bad Seed you want to dust off your acting skills, we encourage you to audition for any of our upcoming shows. If acting isn’t up your alley, purchasing tickets to our upcoming shows or donations are always a welcomed support of the theatre. We also have many opportunities for volunteering your time to the theatre to help keep it in the pristine state and experience you are used to after all of these years of entertainment.

So grab your favorite person you bring to thrillers to hang onto for an exceptional telling of this old tale. Please spread the word to your family and friends about the great works Waukesha Civic Theatre has to offer. Remember we cannot provide this great entertainment without the support of our collective Civic family.

 

Rich Johnson

Treasurer

Board of Directors

The Waukesha State Bank Art Gallery Presents: Tom Smith

Biography

Originally from Toledo Ohio, Tom Smith has lived in the Milwaukee area since 1981.

His art training consisted of lessons at the Toledo Museum of Art in 3rd through 5th Grades and then in High School. After one class in college in 1977, he essentially stopped painting.

He went on to earn a Master of Music Degree after moving to Wisconsin and became a professional cellist. He plays in the Milwaukee Ballet Orchestra and has been Principal Cellist of the Festival City Symphony since 1985. He also taught 1st Grade for 15 years in Wauwatosa.

In 2012, Tom began oil painting again after he left his teaching career. Three years later he began painting “En Plein Air”, which is painting outdoors, “on site”. He has since participated in many plein air events in Wisconsin, won awards, and was instrumental in planning the League of Milwaukee Artists first “West Bend Plein Air and Paint the Market” competition which was held in August of 2018.

He is a member of many art organizations, including: The League of Milwaukee Artists, The Wauwatosa Artists Workshop, Fine Art Montage, The Rogues Artist Group, WIPAPA (Wisconsin Plein Air Painters Association), and The American Impressionist Society

He has exhibited his oil paintings in many local venues and had several solo shows including at the Wauwatosa, WI Public Library, North Shore Presbyterian Church (Shorewood, WI) Bridgetowne Gallery (Wauwatosa, WI), and Art and Soul Gallery (Milwaukee, WI).

Awards have included:

2015 WAW Fall Show Honorable Mention

2017 LMA Winter Show Honorable Mention

2017 WAW Winter Show Award of Merit

2017 Cedarburg Plein Air Competition 2nd Place Award

2017 LMA Fall Show Honorable Mention

2017 Plymouth, WI “Paint the Towns Plein Air” Honorable Mention

2018 Arbor Place (Menomonie, WI) Plein Air Competition 2nd Place Award

2018 Jerry Goldstein Foundation Artist Merit and Achievement Award

2018 New Berlin (WI) Plein Air Honorable Mention

Fusion.art 2nd Season Quarterly Art Exhibition 4th Place Award

Juried Exhibitions and Plein Air Competitions have included:

“GALEX 52 National Exhibition and Competition”, Galesburg. Ill 2018

“The Modern Landscape” at Redline Gallery, Milwaukee, 2018

Taliesin Plein Air 2018 (Invitational)

“Water Works” 24th Annual Juried Exhibition, Plymouth (WI) Arts Center

 

Artist’s Statement

In my childhood, there were dreams. I would paint. I would make beauty. Always present though: a shadow. Even my name was hateful to me.

Then, childhood passed. There would be no beauty. There would be other things, though. Wonderful things: love, children, a career. Yet hiding in that shadow would be the art, the beauty.

There was a crash. I was unmoving. I was lost in the darkness. Until slowly, emergent, it finally came: the art.

You see, I have suffered from severe anxiety and depression for much of my adult life. The shadow blocking out the beauty. Then the finding: Asperger’s. Mild but present-and that knowing brought light.

One of my favorite quotes is by writer James Agee: “…and who shall ever tell the sorrow of being on this earth, lying on quilts, on the grass, in a summer evening, among the sounds of the night.”

Life was for a time, for me, full of sorrow. A sorrow I wanted to end; tried to end. Painting brought me out of this darkness. When I was in the hospital, the one book I brought along was about oil painting.  When I returned home, I began to paint. Therapy, one could say, but also a renewal of my childhood dreams.

I began to realize that I love “being on this earth” and knowing that I am a part of its wonder. Yet I also know, like James Agee, that time is fleeting, and so I try to capture the beauty of this world in paint.

I hadn’t painted much since I was young, but now I began to see it as a way to a new life. I wanted to be an artist, and so I painted, painted landscapes, painted our Earth.

I found other artists, I joined art groups. I painted.

Being a painter has brought me into the light in so many ways. Sometimes being in it can be hard for me. I still struggle, I don’t know how or what to say. But painting has saved my life. I can look and say here, that’s me. My name is Tom Smith, and I am an artist.

PIX Flix Spotlight on the Board: The Greatest Showman

There’s a particular joy in watching an original musical that was written for the silver screen. The Greatest Showman is a dazzling cinematic experience that doesn’t disappoint. Don’t miss your chance to see this larger than life musical on the PIX screen.

The Greatest Showman is inspired by the life of PT Barnum, portrayed by Hugh Jackman with an effervescent energy that drives the film. This Father of Show Biz charismatically and tirelessly works to create the greatest show on earth. True to the spirit of Barnum himself, The Greatest Showman glosses over the grittier details of Barnum’s real-life story and instead paints the tale of an American dreamer, full of hope and imagination, who pulls himself up by the bootstraps to “dream with his eyes wide open.”

Barnum assembles an ensemble of misfits who live in society’s shadows and offers them that which their lives woefully lack: respect, acceptance, love. Where the rest of the world sees “freaks,” Barnum sees human beings who are “extraordinary, unique, [and] beautiful.” Who among us hasn’t felt out of place, bullied, or shunned for our imperfections? As Barnum and The Greatest Showman create a safe space for these misfits — and for us — where uniqueness is celebrated instead of mocked, we are reminded that our differences are a marvelous gift.

Despite Barnum’s abundant optimism and relentless drive, The Greatest Showman is not void of strife. Touching love stories examine classism, racism, adultery, and the very deep wounds that can result from gossip and bullying. Through tragedy, Barnum learns how to refocus on the most important things in life, the core beneath the intoxicating razzle dazzle. Fame, money, and applause are fleeting. Living a life full of love? That is truly the greatest show.

A star-studded cast (Hugh Jackman, Zac Efron, Michelle Williams, Rebecca Ferguson, Zendaya) is equally matched with stunning costumes and set, striking cinematography, and innovative choreography. This feel-good film opens with a literal bang, and the high-paced energy captures your attention and heart for the full hour and forty-five minutes.

As a musical, it has both songs and straight dialogue. The score is integral to the heart of the film, intertwining musical theater elements into dialogue scenes, such as characters nailing fliers to walls becoming part of the score’s percussion. The nine original songs by Oscar and Tony award-winning Pasek and Paul (Dear Evan Hansen, La La Land, Smash) will leave you wanting to hear them over and over again.

The unique format of an original movie musical allows for creative choreography to be woven into both songs and dialogue. Particularly impressive moments include a bird’s-eye view shot that catches a trapeze artist’s singing while she soars, and a barroom business deal incorporating handiwork with shot glasses into the dancing.

Like Barnum’s circus, The Greatest Showman is “a celebration of humanity.” It is one of those rare gems that is tailored for everyone, especially those who have ever felt like they don’t quite fit in. Perfect for a date night, family night, or even a lonely misfit in search of inspiration and hope.

Parents will enjoy talking with their children about myriad themes, such as bullying; ethical showmanship; and how to find hope and the strength to persevere when all seems lost.

Don’t miss your opportunity to run off and join the circus for a couple hours while you’re swept away into this fanciful world of spectacle, hope, and love.

 

 

Scott Fudali

Board of Directors

Director’s Note: The Little Prince

I can’t actually remember a time when The Little Prince was not a part of my life. I don’t remember the first time I heard it, read it, or when I saw the film with Gene Wilder as Fox and Bob Fosse as Snake. The story has always been a backdrop to my life. It was one of my mother’s favorites. I was certain she knew the answer to the Aviator’s question, that she could speak the language of the stars. When I was 16, I left for Africa on a Rotary Exchange. She told me to always look at the moon. She would always be looking at it too, so in this way, no matter where we were, we would always together.

When Laura invited me to co-direct this production, my mother was very ill and I knew I would be doing this story after her passing, in the sacred place of grief and gratitude. Laura, too, was in an underworld journey with the discovery of her son’s brain tumor. We were both living in the unknown with our best beloveds, and yet we were each able to turn to this masterpiece for solace. Exupèry says, “It is such a strange place, the land of tears.” And he was right. We began really feeling the paradoxes of life and death, love and loss, hope and renewal. We were somehow no longer in the world of either/or, but in the exciting realm of both/and.

In exploring the deeper mysteries of the duality of this story, one has to know how it came to be written. Antoine de St. Exupéry was a pilot at a time when the airplane was a new technology. His iconic writing about flying was considered vital to the development of the aero-technology. Exupéry was no stranger to sorrow. His father died before he was four, and so did his younger brother. Like the pilot in the story, Exupéry actually crashed in the Sahara desert with his navigator, André Prévot, on December 30th, 1935. They both survived, by nothing short of grace—they didn’t have enough food and water to last one person one day in such heat. They had no idea where they crashed, and were rapidly losing any chance of survival. Both men suffered from severe dehydration during this time and began to hallucinate quite viscerally. It was from these desert hallucinations that the story of The Little Prince was born. Some suggest that the boy who visited Exupéry when he was so close to Death, was the ghost of his little brother, who would not leave his side until he was rescued.

Throughout the show, you may notice that we made very specific choices to explore the duality we discovered. To begin, we have two directors on two different, yet similar, journeys with death: one which leads toward loss, and one which leads toward miraculous recovery. All of our principals hold different kinds of dualities: we find with Rose that when we fall in love, we must be willing to accept both the conscious and unconscious forces at work in the psyche of the Beloved, and in ourselves. Exupéry seems to suggest that we carry the wounds of our childhood into our adulting; he reminds us to be gentle with one another. Snake is the Great Goddess, the Womb and Tomb of Natural World. She inspires us to confront the fear of the unknown through acceptance of our constant ability to transform and transcend our limitations. Both roles are played by two actresses to amplify this powerful theme. We also have real people and puppet actors in the show. It was important to heighten the sense of distortion between those who see with the heart and those who see only with the eyes. We have two Little Princes: one, a girl, and one, a boy. Gender, after all, is a construct of the mind and of society, it is an agreement, not a truth. It’s time to really challenge paradigms which are based in power and move toward creating paradigms based in love. In this double-casting choice, the Little Prince is also not fixed to a single vision of “who the character was, or is,” it also suggests the possibility of who the character is going to become after returning home. Ironically, we had three sets of twins involved in the casting of this production: both actors playing the Little Prince are twins, as well as one of our Roses. You might also notice the striking similarities between the Aviator and Fox. I like to think of Fox as the Aviator’s higher self; the ancient one inside all of us, that gives us the exact wisdom we most critically need dark nights of the soul. And finally, the script called for an ensemble so we called upon the ancient and powerful idea of a Greek Chorus: the ensemble play the supporting cast members as well as create sunsets, baobobs, volcanoes, and birds; they are the landscape of the world around this story. Blending the idea of my love for Greek Chorus with Laura’s passion for ballet was so exhilarating to watch come to life.

We are so incredibly honored to share in this creative vision with such a talented dream team of designers as well as our unbelievably talented cast. We are deeply grateful to all of you for sharing this vision with the eyes of your hearts. Thank you to Harmonie, Michael, Liz, Evan, Mike, Mark, Linda, and David. Thanks to my son, Charlie. (I love sharing this story with you!) Thank you, Mary, for stepping in as ASM. Thank you, Kristelle, for lending your artistic expertise. Thank you to Doug for warmly welcoming us and cheering us on. Thank you to John Cramer for being our champion and never losing faith that we could tell this story through our own challenging journeys. Thank you to the WCT administrative team: Rhonda, Katie, Meghan, and Nancy for invaluable mentorship through the entire process. Thank you to Phillip and all the volunteers. Thank you for consulting on the set design, Derek Castor and Dustin Martin. Thank you, Jim Padovano. We so appreciated your welcome and support to us in this space. Thank you to all the parents and families that allowed us the time with your talented children and partners. Thank you to Katie Cummings and Pink Umbrella Theatre for consulting with us on sensory-friendly performances. Thanks to Peter for spear-heading WCT’s first inclusive show. We cannot think of a more beautiful story to launch this new WCT tradition.

Finally, we dedicate this performance to you, the audience, and to all who hold this story dear. Actually, no. We dedicate this show to the children you used to be, who knew the difference between a hat and a boa constrictor eating an elephant. Most importantly, we dedicate this to the little ones inside you who know how important it is to tend to the baobabs of doubt and fear, like Laura’s son, Burgoyne, who despite having a tumor removed from his brain, the size of a grapefruit, miraculously continues to get stronger and stronger every day! While we were in rehearsal, he not only traveled to Korea, he managed to complete his final class for his master’s degree in education! Burgoyne is living proof of the transformative and healing power in the stories we tell ourselves.

As for me, I am learning to see my mother with the eyes of my heart. On a quiet evening, when I look at the moon…I think…I can hear her laughing…

 

 

Dr. Shannon Sloan-Spice

Director

Spotlight On The Board: The Little Prince

Now that summer is almost over, along with vacations and all of the summer activities, maybe it’s time to think about our entertainment schedules for the fall and on into next year. One great idea is to enjoy a change of pace, to be able to sit back and just enjoy a live stage performance put on by local actors. I am talking about the Waukesha Civic Theatre, located in the old PIX theatre building in downtown Waukesha. This non-profit organization puts on a variety of plays every year, and this is in addition to theatrical education programs, video showings, and much more.

When was the last time you went to live theatre? It’s much different than going to a movie or a sports event. Sometimes the plays just entertain you, sometimes they challenge your basic concepts. Whether you like a play or not, you have to be impressed with the time and effort our local entertainers put into the productions. So why not try something different this year and visit the Waukesha Civic Theatre? My wife and I are season ticket holders, and before that my parents were season ticket holders. I have to say that these plays are done as well as any I have seen from Purdue University to Milwaukee to Fort Atkinson.

This fall’s Mainstage lineup begins with The Little Prince, a play based on a book by Antoine de Saint-Exupéry. The Little Prince brings to life the story of an Aviator lost in the desert who learns what it is to be tamed. This show deals with the themes of love, loss, and friendship. This play runs from September 13-29, 2019. Tickets can be purchased at the Box Office on Main Street in Waukesha or online via the Theatre’s website www.waukeshacivictheatre.org. If you go to the website, take time to look at all the things the Theatre does in our community, and if I were you, I would buy season tickets for the seven Mainstage shows.

Dean Danner

Board of Directors

The Waukesha State Bank Art Gallery Presents: Susi Schuele

Biography

Susi Schuele is a self-taught abstract artist. Raised in the Northwest suburbs of Chicago, she now lives in the Town of Lisbon, Wisconsin with her husband, Chuck and their two very spoiled dogs and studio mates, Stardust and Hanna.

Susi has been creating in some way since she was a child. She is self-taught, beginning with acrylic paint and drawing. She has been creating abstract art with colorful stains on wood since approximately 2015.

Susi has attained her technical abilities from studying the works of artists she admires, such as O’Keeffe, Van Gogh and Monet. She is always experimenting with tools and mediums to achieve her desired effect.

“Creating colorful art on wood has refocused my perspective toward the lighter, happier, positive side of each new day. And…I have seen the same effect on people when they view my art work! Their wide smiles reach their eyes. Their expressions as they realize that each of my signature pieces are stain on wood and not paint is always a powerful, joyful reaction, both to them and to me.”

Schuele was nominated for the “People’s Choice” award in the ArtisTTable 2017 Women’s Exhibition online. She a member of many art communities and associations, including the League of Milwaukee Artists among others. She has been represented by the Gallery of Wisconsin Art (GOWA) in West Bend, Wisconsin since 2017 and Woodland Studios in Stoughton, Wisconsin since 2018. She has exhibited at prestigious exhibitions for abstract and contemporary art at GOWA and was featured in the One of a Kind Spring Art Show Fine Art Gallery in Chicago, IL in 2018 and 2019.

Statement

Words cannot describe my art. Emotions tell a bigger story. I tell my stories through vivid color inspired by all forms of nature, my imagination and music. My “Second Touch” from God has arrived and my lifetime desire to create and “be myself” is fulfilled.

I like to create art with a magnetic appeal. Art that draws you in. It says “Come closer. Tell me what you see. Tell me how you feel. I want to be what you need me to be.”  Visual inspiration is a beautiful garden bursting in Spring, breathtaking sunsets glowing with orange, the subtle but sublime metallic golds and coppers in Raku pottery, the magnificent Rainbow Eucalyptus tree or the beaming contrast and glitter of colorful elements of nature such as geodes. When creating on various wood panels, the grain of the wood is oftentimes perfect inspiration alone.

Abstract brings my world and your world together by allowing each individual to see and feel their own story. From a primary emotion of a color-infused visual to secondary emotions evoked by “hearing” the music or remembering the lyrics from the piece’s carefully researched song title, this art will connect you to the experience of a memory in another time in your head and heart each time you view it. I achieve incredible depth in my work and bring a little more of my soul into each painting by titling them with song. My love of music is only surpassed by my love of art. As a result, my paintings evoke a powerful emotional effect on viewers from every sense. Joy, curiosity, maybe even dark.

My art is unique because I am currently the only artist in the country creating fine art on wood with colored stains. Most always, I use only my hands, but on occasion I work with a brush for detail and include other mediums such as alcohol ink in my work.

PIX Flix Spotlight on the Board: The Sound of Music

September is a great time to gather the family together and come to PIX Flix, in Historic Downtown Waukesha! We are thrilled to bring The Sound of Music back to the PIX Theatre, now the home of the Waukesha Civic Theatre, on Monday, September 16, at 6:30 p.m.!  I say “back,” because, while I wasn’t able to find historical proof, I feel certain this film must have been shown at what is now our amazing community theatre, back in 1965, when it was first released by 20th Century Fox.  The film, which debuted in sold out theatres around the country for over a month, was produced and directed by Robert Wise and stars Julie Andrews and Christopher Plummer.  The film was adapted from the musical, and two new songs were written just for the movie, “I Have Confidence,” and “Something Good.”  Becoming an instant hit, it is no wonder this stunning film won five Oscars at the 38th Academy Awards!

Influenced by other successful movies of the day, such as Camelot, Mary Poppins, and Cinderella (all of which also starred Julie Andrews) the screenwriter, Ernest Lehman, used artistic license to convey the meaning and essence of the times in Salzburg, just as the Nazis were gaining power.  A small amount of historic exploration will uncover many ways that opulence and pageantry, which were not historically accurate, were employed to draw the audience deeper into the unfolding story and to create a visual masterpiece.  In reality, the von Trapps did not live in a mansion or play in the hills of Salzburg and the home they lived in was not actually their ancestral home, as is depicted in the movie.  However, the visual backdrop of the movie we have come to know and love is enchanting and it is almost impossible to imagine the story without it.

Then there is the music!  Who of us has not grown up with “Do-Re-Mi,” “Edelweiss,” “So Long Farewell,” and “Climb Every Mountain,” as part of our own personal soundtracks?  My family had such a thrill sharing these songs and the film with the next generation that our daughter was cast as Brigitta von Trapp in Waukesha Civic Theatre’s 2014 production of the musical!  These songs will forever be in our hearts.

We hope you will take this opportunity to bring your families, young and old, to see the cinematic treasure The Sound of Music at the Waukesha Civic Theatre on the big screen on Monday, September 16, at 6:30 p.m.  Always a value, our PIX Flix films are still only $5 per ticket and of course, we have popcorn and refreshments available too!  While you’re there, pick up an A.C.T. (Academy at Civic Theatre) brochure and discover all the amazing educational opportunities that await at our own community theatre, WCT.  You will also be able to find a calendar for our 63rd season Mainstage productions – the first of which, The Little Prince, opens September 13, 2019.  Mainstage Season Ticket Packages are available now and the lineup is outstanding!  We will also present Bad Seed, Elf the Musical, Come Back, Big Fish, Silent Sky, and The Secret Case of Sherlock Holmes this season, in addition to many Random Acts of Entertainment!  We look forward to seeing you at the Theatre.

 

 

Jenny Erato

Board Director