Blog Archives

Spotlight On The Board Of Directors: The Hunchback Of Notre Dame

Welcome to The Hunchback Of Notre Dame! This production at Waukesha Civic Theatre is truly a must-see “TV” (Theatrical Venue) event. This is an amazing institution that showcases local talent in quality shows, and I am proud to be on the Board of Directors. Do not miss other sell-out performances this season! We have some great productions yet to come.

We have an amazing array of entertainment and involvement opportunities all year round: Mainstage, Random Acts, A.C.T., Friday Night Live, PIX Flix, our community partnerships such as ACAP, and Waukesha Reads, and a host of special events. You can be involved on and off stage! So whether you can pound a nail, sing a solo, teach kids, focus a light, or just have a passion for the arts, there are plenty of ways to get involved. I encourage you to speak to any board member about being part of this community.

In the original work, Victor Hugo expressed his passions for maintaining a reverence for the achievements of a society in transition. Today, live theater stands in stark contrast to the bite-sized hand held electronic entertainment that consumes so much of our modern era. And this live experience does not exist without performers and patrons who have a passion for the arts. Please come join us in that important community expression.

See you at the Theatre!

 

 

Brian Goeller

Vice President

Board of Directors

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MAD Corner: The Hunchback Of Notre Dame

WCT is both proud and delighted to present the area premier of The Hunchback Of Notre Dame! Inspired by and using some of the music from the Disney cartoon, this incredible new musical brings Victor Hugo’s amazing story of Quasimodo, Esmeralda, Pheobus, and Frollo to life on stage, working with some of the darker themes of Hugo’s novel.  Guided by Mark E. Schuster, one of WCT’s premier directors, and featuring a lush and beautiful score played by a full orchestra and sung by 40 powerful voices, I am confident that our production will astound everyone who sees it.

I would like to thank everyone that supports WCT!  We wouldn’t be here without you. All of our volunteers help us out in any number of ways by acting, ushering, serving on the board of directors, providing maintenance or office support, or working on sets, costumes, props. Our patrons come to WCT see quality live entertainment, the fruits of our volunteers’ labor. Our donors help keep us financially sound by their gifts to the Annual Operating Fund, the Endowment Fund, or by including us in their planned giving.

The generosity of the Waukesha community astounds me, and I truly appreciate all the time, talent, and money that you give to WCT.

One way, and arguably the best way, to support WCT is to spread the word about Waukesha’s best kept secret.  It always amazes me when I meet someone in Waukesha who has no idea what a fantastic organization we have right here in the heart of the community.  Tell people about what we do and all we offer.

Enrich. Challenge. Entertain. That says it all, so keep watching, keep participating with, and keep supporting this cultural cornerstone. We couldn’t do it without you.

 

 

John Cramer

Managing Artistic Director

Director’s Note: The Hunchback Of Notre Dame

Thank you for joining us.

I’ve been a lover of the theatre for more than three quarters of my almost 50 years here on Earth. At a young age, I was enthralled by the storytelling and the magic that happened on stage. I was also raised Catholic, and I think that a big part of my love for the theatre came from my time spent in church – the music, the pageantry, the storytelling, the grand design of the space and even the smells took me to another world. Theatre does the same thing. This show is an amazing combination of the two for me!

The classic story by Victor Hugo and this version made popular by the Disney animated motion picture asks us to consider the idea – What makes a monster and what makes a man? It raises many questions – is the lonely, deformed hunchback the monster or is it the pious, God-loving Archdeacon? Which one is truly ugly on the inside? Does the outside matter? Can we see beyond physical deformity to the person beneath the surface?

Ultimately, we are all human.

Frollo makes it clear early on that he despises all Gypsies. His hatred for them seems to drive his every move. Does any group of people deserve to be hated simply because of who they are or where they come from? Can a race justifiably be universally condemned? Doesn’t everyone deserve to be treated equally and fairly? Esmeralda challenges Frollo’s thoughts and awakens something in the Archdeacon that he’s never faced before. Opening ourselves up to one person could literally change our lives. This show will hopefully make us all think about “what side” we’d rather be on – the judge or the judged, the lover or the loved, the monster or the man. If theatre can entertain us AND make us think, then I think it is most effective.

I hope you enjoy the fruits of the labor of a truly incredible group of people. I am so very lucky to have the chance to work with these amazing performers, musicians and design team. They are all top notch and I thank them for sharing in this vision. I do what I do to work with folks like you!

May you be filled with more of Heaven’s Light and less Hellfire. Celebrate the good in your life. Accept and encourage. Take a chance. Stand up for what you believe. Love.

Enjoy the show!

 

Mark E. Schuster

Director

Les Miserables — Frequently Asked Questions

LesMiserables_SQ_CLRThe penultimate show of WCT’s 58th season is the celebrated and beloved musical Les Misérables from the novel by Victor Hugo. Adapted for the stage in 1985 and turned into a major motion film in 2012, Les Mis is one of the most well-known musicals of the last thirty years. WCT’s production opens May 1st, and tickets are going fast! Les Mis is a decades-spanning, history-entwining show with many plots and even more characters. Below, we’ve put together a few Frequently Asked Questions. We’ll be sharing some details of the plot, but no big spoilers. (You’ll have to come see the show for those!)

What is Les Misérables about?

Les Misérables (or Les Mis for short) follows the story of the convict Jean Valjean. It begins in 1815 as Valjean leaves prison after serving a nineteen-year sentence for stealing bread. Finding work or shelter proves difficult for the parolee, who must present his yellow ticket-of-leave everywhere he goes. His circumstances–and his life–change forever when he meets a kind priest. The story checks in on Valjean’s life twice more, first in 1823 after Valjean has found success, and again in 1832 during an uprising in Paris. Beyond this one man’s story, the play also deals with themes like compassion, forgiveness, justice and injustice, and class.

Is Les Misérables based on a book?

Yes! The novel Les Misérables, by Victor Hugo, was first published in France in 1862 and is generally considered one of the greatest novels of the nineteenth century. It was translated into English and other languages immediately, and though it was not a critical success, it was commercially very popular and remains widely available to this day. At nearly 1,500 pages, it’s also one of the longest novels ever written.

When was it adapted into a musical?

The musical’s official website boasts that Les Mis is the longest running musical in the world. The earliest version of the play premiered in France in 1980, but it didn’t find critical and commercial success until five years later, when it was adapted and translated into English for its West End premiere. A year and a half later, it made its way to Broadway, where it was nominated for twelve Tony Awards. It went on to win eight, including Best Original Score, Best Book of a Musical, and Best Musical. If you would like to read more, the Walnut Street Theatre in Philadelphia has an interesting article about the history of the musical here.

How do you say Enjolras?

Though he is the leader of the Friends of the ABC revolutionaries and sings lead in one of the musical’s most famous songs, “Do You Hear The People Sing?”, Enjolras’ name is never spoken aloud in Les Mis. This has led to some debate about just how his name is pronounced. Follow this link for a video featuring the correct pronunciation.

If this play takes place in France, why do they have British accents?

One of the recurring themes in Les Mis is class conflict. From poor convicts to wealthy business owners to politically-minded students to Paris street urchins, much of nineteenth-century France’s social strata is represented in the play. One of the tricks writers use to establish a character’s place in a social hierarchy is his or her accent. Most English-speaking audiences wouldn’t be able to recognize different French dialects, but we can distinguish different British dialects by class. We know, for example, that if we hear a character speaking with a Cockney accent, he is likely a poor, lower-class individual, while another character with a crisp accent and large vocabulary is probably wealthy and well-educated. These cues help the audience to know something about a character even when she has only spoken a few words.

Is Les Misérables about the French Revolution?

Nope! In fact, the French Revolution ended more than a decade before Les Misérables even begins. The uprising in the play’s second act is the June Rebellion, a relatively minor revolt that Victor Hugo witnessed as a young writer in Paris. If you’d like to learn more, there is an interesting article here. It was written around the time the 2012 film was released, and it does contain a few spoilers.

Who are the Friends of the ABC and why are they called that?

The Friends of the ABC are a fictional group of revolutionary students, including Marius Pontmercy. They play a significant role in the musical’s third section, agitating for social reform and eventually raising arms in the June Rebellion. Their headquarters is the ABC Café, where they drink and plan and talk of revolution. In French, ABC is a pun. Its French pronunciation (ah-bay-say) is similar to the word abaissés, meaning abased or lowly.

What songs will I know?

Les Misérables features a number of well-known songs, including “I Dreamed A Dream” (recently made popular again by singer Susan Boyle), “Empty Chairs at Empty Tables,” “On My Own,” and “Do You Hear The People Sing?” along with many others. The music was written by Claude-Michel Schönberg with lyrics by Alain Boublil and Jean-Marc Natel (translated to English by Herbert Kretzmer.)

How can I learn more?

There are plenty of resources out there for people interested in learning more about Les Misérables. The official website has some interesting facts and figures. Before the national tour came to Birmingham, Alabama, this blog put together 25 interesting things to know about the show. There is a video here with more Frequently Asked Questions which incorporates music from several adaptations of Les Mis. It’s worth a watch if you have few minutes! If you have more than a few minutes, you could always read the book (or the SparkNotes if you’re in a hurry.) Our recommendation, of course, is to get your tickets now for WCT’s production!

I can’t wait! How do I get tickets?

As always, you can purchase tickets through our website, or you can call our box office (262) 547-0708 during our regular hours, 12-5 Tuesday through Friday. We are also open during Waukesha Farmer’s Markets and two hours before any show. Tickets are going fast, so don’t delay!