“O Captain! My Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills” ~ Walt Whitman
Dead Poets Society is our third PIX Flix in our 61st season! Robin Williams called this one of his favorite performances of all time: “it had some sort of amazing… there’s something in that movie that affected people beyond just a movie.” Join us as we help celebrate his legacy! Get inspired by joining us for this extraordinary film on September 25th at 6:30 pm! Tickets are $5 for everyone – you won’t find a better deal than that!
As in all his roles, Robin Williams lent a certain genius to this film. Playing a new English teacher, John Keating, he sets out to encourage his students to cast aside normality and chart their own course through life. Learning of his colorful past, his students resurrect the unsanctioned Dead Poets Society, and sneak off to explore their own individuality. What follows is a foray you won’t want to miss!
“The poem by Henry David Thoreau that is featured on the front page of the poetry book Neil receives is not an original poem by Thoreau. Rather, it is a rearrangement of sentences from his work “Where I Lived,” Chapter Two from his seminal work, Walden.” ~IMDb
“I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practice resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, …” ~Henry David Thoreau
Dead Poets Society won the Academy Award for Best Original Screenplay (Tom Schulman). Peter Weir received a nomination for Best Director and the film itself was nominated for Best Picture of 1989. Robin Williams received his second Best Actor in a Leading Role nomination and it has since been widely recognized as one of the actor/comedian’s best roles. It also won the BAFTA Award for Best Film.
For only $5, join us on September 25th to celebrate the legacy of Robin Williams, Tom Schulman, poetic inspiration, and our 61st season all at once! See you at the PIX!
WCT Board Secretary
“Carpe. Carpe diem. Seize the day, boys. Make your lives extraordinary.”
What would possess a left-leaning 24 year old from Kenosha, WI to co-write, direct, produce and star in a motion picture intended to skewer the oligarchs who controlled the American media in the 1930’s? In Orson Welles’ own words, “Ignorance.” Having already achieved critical acclaim as a theater actor, playwright and director, perhaps it is this audacity of scope combined with the fresh technological innovations of the silver screen that led Welles to create what is now almost universally agreed to be one of the greatest films ever made.
Citizen Kane, a fictional biopic of the newspaper magnate Charles Kane, is Welles’ first film and employs numerous experimental techniques developed for this movie. Many of these contributions to style and cinematography have entered the movie making lexicon. Today these remain as fresh and important to the story as when Citizen Kane was released in 1941.
Charles Kane, played by the young Orson Welles, is transparent in life and mysterious in death. Welles and his co-writer, Herman Mankiewicz, ask the viewer to share in the detective work of newsreel reporter Jerry Thompson, played by William Alland, to discover Kane’s deepest secrets by investigating the mundane meaning of the final utterance on his deathbed: “Rosebud.” This thinly veiled misdirection provides the audience the opportunity to approach and receive the film on numerous levels. Today, the parallels to our culture remain as strong as they did 76 years ago with just as much opportunity to be challenged and entertained.
With a handpicked cast, many of whom such as Agnes Moorehead and Joseph Cotten would go on to storied careers, Citizen Kane represents a high watermark in cinematic storytelling. Whether you are a fan of film, student of history, have interest in the media’s role in modern politics or simply want to share this experience with friends and family, the Waukesha Civic Theatre invites you to join us at 6:30 pm on Monday, June 5th to watch and celebrate this Hollywood masterwork.