The reasons for wanting to adapt The House Without A Christmas Tree were numerous. Great story, complex characters, a father and daughter reconnecting….I could go on and on. The trick was in HOW to adapt it. Can you take what is there and expand it to a full play without losing the essence of the story? Well, I think you can and I think we did.
John and Kelli Cramer were a big part of this. They are the ones who introduced me to this story. It was one of their favorite holiday stories, and their affection for it was infectious. I read the book, I watched the TV movie, and I was hooked. I just loved it. But I did have some concerns.
First, there was not a lot of attention given to any character outside of Grandma, Dad, and Addie. The characters that were there simply did not have much to do. In order to become a Mainstage production, it needed some of these peripheral characters to become more prominent. The students in Addie’s class, for starters. I wanted to see a little more of the classroom world, and what kinds of characters there were, and seeing Addie in that world helps give us a fuller picture of her.
Luckily, we have an outstanding group of young and talented students in our A.C.T. (Academy at Civic Theatre) program. I had no doubt we had more than enough young talent to fill this classroom with some fun characters. And in the end, these students help shape our perception of Addie, and really do help to tell her story. And these are relationships and students we all experienced in our grade school years–the first crush, the destructive kid, the kid who always bragged about something, the know-it-all. There is something each of us can connect to in this colorful group of kids.
There was also not a lot for the teacher, Miss Thompson, to do. I wanted to find a way to see her grow throughout the play. A big key was adding the characters of the principal and his assistant. This provided the chance to tell a sweet, sometimes clumsy love story between the Eugene and Peggy, with Mrs. Kulwicki giving running commentary throughout.
The final major adjustment I made was that I wanted to lighten things up. The actual storyline between Addie and her father gets quite intense at times. I think the other characters in the play help to offset that drama and keep the story more balanced. I also think the culmination of all of these stories helps to make it a much bigger, more satisfying payoff at the end. There needed to be more hope, more optimism at the end, or else the struggle to get there doesn’t seem worth it. It would be like watching It’s A Wonderful Life, and having George Bailey be “sort of happy” to be alive at the end (spoiler alert-George Bailey lives and he’s THRILLED about it).
At the end of the day, I am a sucker for a sweet and heartfelt holiday show. And that’s what I think we have here. I think audience members will find themselves belly laughing in one scene, and getting choked up in the next scene. This show is nostalgic without being dated. The kind of show where parents can watch with their kids and not worry about questionable content. All of us involved in the show are very proud of that, and we sincerely hope you enjoy it.
Floyd: I know the people here at Civic are just dying to know more about you. Are you originally from the Waukesha area?
Kelly: In northern Minnesota I was born and raised. On the lake is where I spent most of my days. Swimming and kayaking, paddling the canoe, throwing some Bocce Ball (man, I was cool). To make a long story short, my family moved to Madison when I was in grade school when my dad got a new job.
Floyd: Did you always want to work in theatre, or was this job a crazy random happenstance?
Kelly: Theatre has been a very big part of my life ever since middle school when I got cast in my very first show. In high school, I wowed audiences in such critically acclaimed roles as Offstage Voice and Lady 1, just to name a few. Buoyed by the success of those roles, I decided theatre was my life and focused on it all through college. It is really great that I still work in theatre. I can’t say that about all of my classmates.
Floyd: Do you ever bridge out into the performing aspect of theatre, or you a strictly behind the scenes kind of gal?
Kelly: Since moving to Milwaukee six years ago, I’ve appeared onstage with a number of theatre companies including Optimist Theatre, Uprooted Theatre, and was a founding member of Kohl’s Wild Theatre. I’ve most recently appeared as Oddyseus in the The Penelopiad with Luminous Theatre, and as Sister Berthe in The Sound of Music with Skylight Music Theatre. You may have also seen me perform in WCT’s very own Comedy Tonight’s Love American Style this past February. I have recently added the title Playwright to my resume and have written a few shows for Kohl’s Wild Theatre. When I’m not acing, writing, or office managing, I also teach a number of our ACT classes.
Floyd: What kind of things do you like to do in you free time?
Kelly: When not doing theatre, you can usually find me knitting, sewing, or reading, usually with the assistance of my ever-helpful lap-cat Christine (yes, she is named after the ingénue from Phantom of the Opera). She is very good at holding things down so they do not float away. I also love thrifting. Macklemore got nothing on me.
Floyd: If you could be any bird, what kind would you be and why?
Kelly: I would like to be a little penguin because they are so flippin’ cute and everybody loves them. Also, sushi is my favorite food.
Floyd: What is the one thing you would like everyone to know?
Kelly: I am the funniest person my little sister knows. No joke.