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Director’s Note: The Musical Comedy Murders Of 1940

If you like mysteries, you are probably fond of sifting through red herrings (“clues” that are planted just to mislead).  If so, The Musical Comedy Murders Of 1940 is the show for you. The red herrings begin even with the title.  (Did you think you were going to see a musical? Red Herring!). Although there are a few catchy numbers, this show is not a musical at all. Instead, the concept of a trying out a new musical is a red herring for the actor-characters who believe they are auditioning for the production. And that’s just the beginning!

The clues—real and not so real—in this show will keep you guessing. Are there actual police present? How many? Are they trying to catch “The Stage Door Slasher” or a Nazi saboteur—or

both? Is Eddie really a (very struggling) comedian or a fledgling detective?  Is Elsa a slightly ditzy hostess or a murderer on the loose? Is there one Helsa—or two—or three? And, in the midst of the murderous mayhem, is there romance in the air? In another two hours, you’ll know all the answers.

Thanks to the cast for hard work, good humor, and willingness to take chances. Special appreciation to the non-applauded production staff: Scott P. and Jeff for our secretive set, Sharon and Ellen for classy costumes, Scott F. and Keith for audible and electric effects, Matt for his creative compositions, Christopher for our frantic fights, Meghan for deft dialects, and Katie for her magnificent managing. A theatrical production does, indeed, take a village.

It’s a mystery. It’s a comedy (please do laugh!). And it’s just meant to be fun. So, stay awake and sift through those red herrings, but do relax and enjoy!

 

 

 

Thanks for supporting the arts!

Carol Dolphin 🐬

Director

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MAD Corner: Wait Until Dark

I love a good mystery, and Wait Until Dark is one of the best ever written, in my humble opinion. Frederick Knott is known for his mysteries, and this show is considered by many to be his best. When I first read it, I was completely captivated from the beginning to the end. I hope you enjoy it as much as I do!

I would like to thank everyone that supports WCT! We wouldn’t be here without you. All of our volunteers help us out in any number of ways by acting, ushering, serving on the board of directors, providing maintenance or office support, or working on sets, costumes, props. Our patrons come to WCT see quality live entertainment, the fruits of our volunteers’ labor. Our donors help keep us financially sound by their gifts to the Annual Operating Fund, the Endowment Fund, or by including us in their planned giving. The generosity of the Waukesha community astounds me, and I truly appreciate all the time, talent, and treasure that you give to WCT. Keep watching, keep participating with, and keep supporting this cultural cornerstone … truly a sight to see!

 

John Cramer

Managing Artistic Director