Barefoot In The Park is known by many for the 1967 movie adaption directed by Gene Saks and starring Robert Redford (Paul) and Jane Fonda (Corie). However, it all started four years before that on October 23rd, 1963 when it opened at the Biltmore Theatre on Broadway. It ran for a total of 1,530 performances closing on June 25th, 1967, making it Neil Simon’s longest-running hit. Robert Redford also played Paul in the Broadway performance, and Elizabeth Ashley played Corie.
This production is set in 1963. While times have changed around the woman’s role in the household since then, many of the challenges Corie and Paul are presented during their first four days living together after their blissful honeymoon, along with how they deal with them, remain timeless.
We laughed a ton during rehearsals as we each thought back to our own relationships, and how spot on Neil Simon was. The nosey mother, the crazy neighbor, and the reality that hits after the honeymoon is over. But, ultimately realizing that with your loved one at your side, you can conquer it all, even if it doesn’t feel like it at the moment. For many actors, the roles in Barefoot In The Park are bucket list roles, and I know that to be true for several of our cast members. I think you’ll understand why after seeing the show. I am truly lucky for the caliber of cast, crew, and production staff I have working with me side-by-side on this production. I don’t think I’ve ever had so much fun at rehearsals as I did working with this cast. I hope you have as much fun watching the show as the cast does performing it!
When the 2016/2017 Waukesha Civic Theatre season was announced and I saw that To Kill A Mockingbird was on the list, I knew that I would clamor and claw for the opportunity to direct this play. I have taught the novel to my freshman World Literature class, and year after year, it sparks a vibrant conversation of race, equality, poverty, violence, innocence, desperation, and hope. It is a story that speaks to my heart and screams to my conscience. I see myself in Scout – in her compulsion to stand up for what’s right, and to be the voice for those who are too scared or unable to speak up. I even named my daughter Harper in tribute to Ms. Lee. It is a dream of mine to direct the stage play of Mockingbird – to bring this conversation to life as only theatre can, and I am deeply humbled to be trusted to tell this story with an incredible team of actors and designers.
I am thrilled to see Harper Lee’s novel bringing our community and schools together, in partnership with the Waukesha Reads program. To Kill A Mockingbird is an intelligent and timely choice for Waukesha Civic Theatre at this point in history. With tensions high, the conversation of the racial divide in America is vital as ever. Voices are raised, fires are burning, and yet voices are going unheard. We need to hear one another and listen to the singing of the “mockingbirds,” so that we can find understanding. In this play, the echoes of slavery are heard in the deeply-rooted segregation of the South, just as the echoes of segregation are heard in towns across America today. Mockingbird not only serves as a reflection of the past, but it mirrors today’s world and provides a lens through which we can look into the future. While you can look for villains in this play, they are hard to pin down. Even the apparent villains are victims of circumstance, aren’t they? Ignorance, poverty, culture, and fear stand in the way of progress in Harper Lee’s 1934 Maycomb, Alabama as they continue to do today across America. If I had to guess, I would say that Harper Lee would never have imagined just how relevant her story would be in the year 2016, and I have to wonder if she would how discontented she would be. My fervent hope is that in my lifetime, this play will become antiquated; it will become a piece of history we will use to look back with gratitude on a time before things changed.
I hope that you find truth here today – that you find laughter, and that you find heartache; I most certainly have found all of these things in building this show with our team. I would like to thank John Cramer for giving me the opportunity to direct Mockingbird, my incredible cast for trusting me and one another, and bringing with them a goodness of heart that moves me, and my production team of artists and organizers who make this show possible. I am forever grateful to my supportive and loving family, Aaron (lighting/sound designer), Jaxon, and Harper. Please help us spread the word and fill this house each performance. We are so glad you are here.
Lights, camera, action! Well, maybe no ‘camera’, but when the lights dim at the Waukesha Civic Theatre, there’s certainly a lot of action! We are currently in our 59th season and we are proud of what we have to offer our patrons and the local community. This season has been phenomenal with classics like A Little Night Music and The Turn of the Screw. In addition to a variety of performances, we offer a host of programs and activities for all ages and interests. You can choose your level of involvement.
*New education and outreach programs including Pee Wee Players.
*New Broadway Bound classes for 6-19 year olds.
*Theatrical classes offered at WCT.
*Volunteer support at Waukesha Farmers Market along with several other opportunities like show ushering, maintenance support, set development, and more.
We welcome your involvement and patronage at the Waukesha Civic Theatre. Thanks for your continued support.
Board of Directors
Leading Ladies is highly reverential of William Shakespeare and, in particular, his play Twelfth Night – which perhaps you saw staged at WCT in 2010. As such, Leading Ladies and Twelfth Night employ many of the same comedic elements such as disguises, mistaken identity, juxtaposition, wordplay, repetition, and eavesdropping.
Contained within the best comedies is heart. While the play examines male and female roles mostly from a comedic sense, it’s Meg and her awareness of her own personal standing in the world and her desire to ascend to different heights that delivers the heart. I’d like to think that if Shakespeare were writing in the modern age, Leading Ladies is exactly the kind of farce that he would write.
Enjoy the show!
Dustin J. Martin
Farces are fun. It’s that simple. They’re fun to watch, they’re fun to be in, and they’re fun to direct. And Ken Ludwig’s Leading Ladies is one of the best farces that has ever been written. With the delightful addition of a touch of Shakespeare and all the classic elements of farce, including men who shouldn’t be wearing dresses wearing dresses, we’ve brought together what I hope is a wonderful night of entertainment for you. Sit back, relax, let us tickle your funny bone for a couple of hours and … have fun!
Last fall, we announced Spotlight On The Future, a major gift campaign with a goal to raise $750,000, providing capital for upgrades that will enhance the theatre experience, increase advertising revenue, decrease operating expenses, and provide for building maintenance. So far we have raised 45% of our goal and have already put these donations to good use. A new HVAC unit, our new lighting catwalk, our new retractable movie screen and projector, a new sound board for the Mainstage, and new sound and lighting equipment for the Studio Theatre and Rehearsal Hall. We still need your help. If you haven’t given to the Spotlight On The Future campaign yet, please consider a gift! If you already have given, thank you, and please consider an additional gift to help us reach our goal.
The generosity of the Waukesha community astounds me, and I truly appreciate all the time, talent, and treasure that you give to WCT. Keep watching, keep participating with, and keep supporting this cultural cornerstone!
Managing Artistic Director