Trust me … you don’t want to miss this show!
What Is It?
During Combat Theatre participants create and perform six to eight new plays in 24 hours. Writers gather together on the Friday night before the performance at 7:30 pm and draw a location and a subject out of a hat, and the number of actors they need to write for, and then go away and write a ten to fifteen minute play overnight.
The writers return Saturday morning at 9:00 am with their completed scripts, along with all of the directors, writers, and tech staff, and the directors will then randomly draw which script they will direct, and randomly draw the actors that will perform the script. Then they block and memorize the show, find costumes and props they need, and have a 45 minute tech rehearsal to set light and sound cues.
There is a second rehearsal in the late afternoon with all of the shows running in the order they will perform, and then the performance that night. It is truly creating an evening of theatre in just 24 hours. Astounding!!!
When Is It?
And now we are bringing this incredible show to the WCT stage as a fundraiser for our theatre arts education program, the Academy at Civic Theatre. The show is this Saturday, August 26, at 7:30 pm. Tickets are $25, but the experience is priceless, and all proceeds go to an excellent cause. Don’t procrastinate … get your tickets now.
Why Do It?
I’ve had the pleasure of participating in Combat Theatre in downtown Milwaukee several times over the last few years, both as a director and as an actor, and it is truly one of the most amazing and unique theatrical experiences I’ve ever had. It is very challenging and rewarding. I am going to participate as a writer for the first time, and I’m TERRIFIED! I’m also EXHILARATED! I can’t wait, and I hope you can’t wait either.
Who Does This?!
Our “Combatants” include Maggie Arndt, Nick Bailey, Tara Cha, Tess Cinpinski, Elena Cramer, John Cramer, Mike Crowley, Alexa Farrell, Janice Ferguson, James Fletcher, Jennifer Fletcher, Tarolyn Fulkerson, Marisa Hernandez, Meghan Hopper, Matt Huebsch, Doug Jarecki, Jon Jones, Sophie Jones, Peter Kao, Stacy Kolafa, Amie Losi, Noah Maguire, Mina Miller, Andrea Moser, Karen Owecki, Chuck Padgett, Lee Piekarski, Cheryl Peterson, Beth Reichart, Sandra Renick, Amanda Satchell, Sharon Sohner, Veronica Somerfeld, Ashley Sprangers, Abigail Stein, Lauren Sutton, John Van Slyke, Kayla Tillisch, Hunter West, Adam Williams, and Karolyn Wokos.
I hope you can join us.
Managing Artistic Director
When the 2016/2017 Waukesha Civic Theatre season was announced and I saw that To Kill A Mockingbird was on the list, I knew that I would clamor and claw for the opportunity to direct this play. I have taught the novel to my freshman World Literature class, and year after year, it sparks a vibrant conversation of race, equality, poverty, violence, innocence, desperation, and hope. It is a story that speaks to my heart and screams to my conscience. I see myself in Scout – in her compulsion to stand up for what’s right, and to be the voice for those who are too scared or unable to speak up. I even named my daughter Harper in tribute to Ms. Lee. It is a dream of mine to direct the stage play of Mockingbird – to bring this conversation to life as only theatre can, and I am deeply humbled to be trusted to tell this story with an incredible team of actors and designers.
I am thrilled to see Harper Lee’s novel bringing our community and schools together, in partnership with the Waukesha Reads program. To Kill A Mockingbird is an intelligent and timely choice for Waukesha Civic Theatre at this point in history. With tensions high, the conversation of the racial divide in America is vital as ever. Voices are raised, fires are burning, and yet voices are going unheard. We need to hear one another and listen to the singing of the “mockingbirds,” so that we can find understanding. In this play, the echoes of slavery are heard in the deeply-rooted segregation of the South, just as the echoes of segregation are heard in towns across America today. Mockingbird not only serves as a reflection of the past, but it mirrors today’s world and provides a lens through which we can look into the future. While you can look for villains in this play, they are hard to pin down. Even the apparent villains are victims of circumstance, aren’t they? Ignorance, poverty, culture, and fear stand in the way of progress in Harper Lee’s 1934 Maycomb, Alabama as they continue to do today across America. If I had to guess, I would say that Harper Lee would never have imagined just how relevant her story would be in the year 2016, and I have to wonder if she would how discontented she would be. My fervent hope is that in my lifetime, this play will become antiquated; it will become a piece of history we will use to look back with gratitude on a time before things changed.
I hope that you find truth here today – that you find laughter, and that you find heartache; I most certainly have found all of these things in building this show with our team. I would like to thank John Cramer for giving me the opportunity to direct Mockingbird, my incredible cast for trusting me and one another, and bringing with them a goodness of heart that moves me, and my production team of artists and organizers who make this show possible. I am forever grateful to my supportive and loving family, Aaron (lighting/sound designer), Jaxon, and Harper. Please help us spread the word and fill this house each performance. We are so glad you are here.