Director’s Note: The Musical Comedy Murders Of 1940

If you like mysteries, you are probably fond of sifting through red herrings (“clues” that are planted just to mislead).  If so, The Musical Comedy Murders Of 1940 is the show for you. The red herrings begin even with the title.  (Did you think you were going to see a musical? Red Herring!). Although there are a few catchy numbers, this show is not a musical at all. Instead, the concept of a trying out a new musical is a red herring for the actor-characters who believe they are auditioning for the production. And that’s just the beginning!

The clues—real and not so real—in this show will keep you guessing. Are there actual police present? How many? Are they trying to catch “The Stage Door Slasher” or a Nazi saboteur—or

both? Is Eddie really a (very struggling) comedian or a fledgling detective?  Is Elsa a slightly ditzy hostess or a murderer on the loose? Is there one Helsa—or two—or three? And, in the midst of the murderous mayhem, is there romance in the air? In another two hours, you’ll know all the answers.

Thanks to the cast for hard work, good humor, and willingness to take chances. Special appreciation to the non-applauded production staff: Scott P. and Jeff for our secretive set, Sharon and Ellen for classy costumes, Scott F. and Keith for audible and electric effects, Matt for his creative compositions, Christopher for our frantic fights, Meghan for deft dialects, and Katie for her magnificent managing. A theatrical production does, indeed, take a village.

It’s a mystery. It’s a comedy (please do laugh!). And it’s just meant to be fun. So, stay awake and sift through those red herrings, but do relax and enjoy!

 

 

 

Thanks for supporting the arts!

Carol Dolphin 🐬

Director

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Posted on September 13, 2018, in Mainstage Performance and tagged , , , , , , , , , , , , , , , , . Bookmark the permalink. Leave a comment.

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