Director’s Notes: To Kill A Mockingbird
When the 2016/2017 Waukesha Civic Theatre season was announced and I saw that To Kill A Mockingbird was on the list, I knew that I would clamor and claw for the opportunity to direct this play. I have taught the novel to my freshman World Literature class, and year after year, it sparks a vibrant conversation of race, equality, poverty, violence, innocence, desperation, and hope. It is a story that speaks to my heart and screams to my conscience. I see myself in Scout – in her compulsion to stand up for what’s right, and to be the voice for those who are too scared or unable to speak up. I even named my daughter Harper in tribute to Ms. Lee. It is a dream of mine to direct the stage play of Mockingbird – to bring this conversation to life as only theatre can, and I am deeply humbled to be trusted to tell this story with an incredible team of actors and designers.
I am thrilled to see Harper Lee’s novel bringing our community and schools together, in partnership with the Waukesha Reads program. To Kill A Mockingbird is an intelligent and timely choice for Waukesha Civic Theatre at this point in history. With tensions high, the conversation of the racial divide in America is vital as ever. Voices are raised, fires are burning, and yet voices are going unheard. We need to hear one another and listen to the singing of the “mockingbirds,” so that we can find understanding. In this play, the echoes of slavery are heard in the deeply-rooted segregation of the South, just as the echoes of segregation are heard in towns across America today. Mockingbird not only serves as a reflection of the past, but it mirrors today’s world and provides a lens through which we can look into the future. While you can look for villains in this play, they are hard to pin down. Even the apparent villains are victims of circumstance, aren’t they? Ignorance, poverty, culture, and fear stand in the way of progress in Harper Lee’s 1934 Maycomb, Alabama as they continue to do today across America. If I had to guess, I would say that Harper Lee would never have imagined just how relevant her story would be in the year 2016, and I have to wonder if she would how discontented she would be. My fervent hope is that in my lifetime, this play will become antiquated; it will become a piece of history we will use to look back with gratitude on a time before things changed.
I hope that you find truth here today – that you find laughter, and that you find heartache; I most certainly have found all of these things in building this show with our team. I would like to thank John Cramer for giving me the opportunity to direct Mockingbird, my incredible cast for trusting me and one another, and bringing with them a goodness of heart that moves me, and my production team of artists and organizers who make this show possible. I am forever grateful to my supportive and loving family, Aaron (lighting/sound designer), Jaxon, and Harper. Please help us spread the word and fill this house each performance. We are so glad you are here.
Posted on October 24, 2016, in Mainstage Performance, Waukesha Civic Theatre and tagged 2016-2017, 60th season, Aaron Schmidt, Alyssa Falvey, Anthony Gotcher, Charlene Dadez Siyver, Charlotte Lindstrom, Cheryl Peterson, culture, Deanna Strasse, desperation, drama, equality, fear, Grace Munson, Harper Lee, hope, ignorance, innocence, Jennifer Allen, Jim McClure, Jim Santelle, Joanne Cunningham, Joyce Sponcia, Kelly Vance, Kevin Koehne, Kevin Senebouttarath, Leah Sawnor, Lloyd Munson, Marge Kurtz, Mario Andre, Michael Talaska, Nazir Grey, Noah Maguire, Phillip Alonge, poverty, race, Rhonda Marie Schmidt, Scott Ebbott, Scott Ziolecki, Shannon Blair, Susan Zuern, To Kill A Mockingbird, violence. Bookmark the permalink. Comments Off on Director’s Notes: To Kill A Mockingbird.